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Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

 

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Francesco Hayez Melancholy Thought oil painting

Painting ID::  59294

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Francesco Hayez
Melancholy Thought
Melancholy Thought (1842) Private collection, Milan
   
   
     

 

 

Francesco Hayez Portrait of Felicina Caglio Perego di Cremnago oil painting

Painting ID::  59295

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Francesco Hayez
Portrait of Felicina Caglio Perego di Cremnago
Portrait of Felicina Caglio Perego di Cremnago (1842) Private collection, Milan
   
   
     

 

 

Francesco Hayez Samson and the Lion oil painting

Painting ID::  59296

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Francesco Hayez
Samson and the Lion
Samson and the Lion (1842) Galleria d'Arte Moderna, Florence
   
   
     

 

 

Francesco Hayez Meeting of Jacob and Esau oil painting

Painting ID::  59297

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Francesco Hayez
Meeting of Jacob and Esau
Meeting of Jacob and Esau (1844) Pinacoteca Tosio Martinengo, Brescia
   
   
     

 

 

Francesco Hayez Sicilian Vespers, Scene 3 oil painting

Painting ID::  59300

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Francesco Hayez
Sicilian Vespers, Scene 3
Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome
   
   
     

 

 

Francesco Hayez Portrait of Felicina Caglio Perego di Cremnago oil painting

Painting ID::  59301

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Francesco Hayez
Portrait of Felicina Caglio Perego di Cremnago
Portrait of Felicina Caglio Perego di Cremnago (1842) Private collection, Milan
   
   
     

 

 

Francesco Hayez Portrait of Antonietta Tarsis Basilico oil painting

Painting ID::  59304

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Francesco Hayez
Portrait of Antonietta Tarsis Basilico
Portrait of Antonietta Tarsis Basilico (1851) Private collection, Rome
   
   
     

 

 

Francesco Hayez Portrait of Matilde Juva Branca oil painting

Painting ID::  59305

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Francesco Hayez
Portrait of Matilde Juva Branca
Portrait of Matilde Juva-Branca (1851) Civica Galleria d'Arte Moderna, Milan
   
   
     

 

 

Francesco Hayez Portrait of a Veneitan Woman oil painting

Painting ID::  59308

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Francesco Hayez
Portrait of a Veneitan Woman
Portrait of a Veneitan Woman (c. 1852) Private collection, Milan
   
   
     

 

 

Francesco Hayez Venetian Women oil painting

Painting ID::  59309

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Francesco Hayez
Venetian Women
Venetian Women (1853) Villa Carlotta, Tremezzo
   
   
     

 

 

Francesco Hayez Portrait of Countess Antonietta Negroni Prati Morosini as a child oil painting

Painting ID::  59310

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Francesco Hayez
Portrait of Countess Antonietta Negroni Prati Morosini as a child
Portrait of Countess Antonietta Negroni Prati Morosini as a child (1858) Civica Galleria d'Arte Moderna, Milan (See also the portrait of her done in 1872)
   
   
     

 

 

Francesco Hayez Bather viewed from behind oil painting

Painting ID::  59311

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Francesco Hayez
Bather viewed from behind
Bather viewed from behind (1859) Pinacoteca di Brera, Milan
   
   
     

 

 

Francesco Hayez Female Nude oil painting

Painting ID::  59314

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Francesco Hayez
Female Nude
Female Nude (c. 1859) Pinacoteca di Brera, Milan
   
   
     

 

 

Francesco Hayez Portrait of Count Baglioni oil painting

Painting ID::  59315

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Francesco Hayez
Portrait of Count Baglioni
Portrait of Count Baglioni (c. 1860) Private collection, Treviso
   
   
     

 

 

Francesco Hayez Portrait of Massimo d Azeglio oil painting

Painting ID::  59316

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Francesco Hayez
Portrait of Massimo d Azeglio
Portrait of Massimo d' Azeglio (1860) Pinacoteca di Brera, Milan
   
   
     

 

 

Francesco Hayez Self portrait at age 69 oil painting

Painting ID::  59317

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Francesco Hayez
Self portrait at age 69
Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence
   
   
     

 

 

Francesco Hayez Portrait of Camillo Benso di Cavour oil painting

Painting ID::  59321

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Francesco Hayez
Portrait of Camillo Benso di Cavour
Portrait of Camillo Benso di Cavour (1864) Pinacoteca di Brera, Milan
   
   
     

 

 

Francesco Hayez The New Favorite oil painting

Painting ID::  59324

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Francesco Hayez
The New Favorite
The New Favorite (Harem Scene) (1866) Private collection, Milan
   
   
     

 

 

Francesco Hayez Odalisque with Book oil painting

Painting ID::  59326

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Francesco Hayez
Odalisque with Book
Odalisque with Book (1866) Villa Carlotta, Tremezzo
   
   
     

 

 

Francesco Hayez The Death of the Doge Marin Faliero oil painting

Painting ID::  59327

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Francesco Hayez
The Death of the Doge Marin Faliero
The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan
   
   
     

 

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Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.